New and Improved: Etter Art Premium Acrylic Emulsion! Our latest Etter Art Premium Acrylic Emulsion offers a colourless, lightfast, and weather-resistant binder with versatile application possibilities for your artwork. Its standout feature is its enhanced adhesive strength, making it ideal for diluting with water in specific applications. Applications of Acrylic Emulsion The acrylic emulsion is perfect for: • Mixing with resi-CRETE powder • Creating acrylic paints using powder pigments  • Producing primers  • Preparing levelling compounds  • Fixing structures made from various materials, like lime putty  • Embedding materials such as mosaic tiles  Special features • Colorless, even when mixed • Lightfast • High and improved adhesive strength • Resistant to aging and weathering • Variable viscosity and structure • Suitable for working with resin

OUR XL CRACKLE PASTE FOR CRACLEES That is her. The XL Crackle Paste is a paste for creating unique cracks (crackle). Create exciting craquelure and give your artwork special depth and three-dimensionality. The XL Crackle Paste consists of two components, primer and XL Crackle Paste. That's what she's for. With the XL Crackle Paste you can create unique and exciting crackles that you can make in any size and density. It gives your artwork an incredible look and is particularly suitable for haptic and textural art. You can apply the XL Crackle Paste up to 50 mm thick. The thicker or higher the layer, the deeper and wider its cracks. Particularities. With the help of the primer, making the craquelure is child’s play. In addition, the primer adheres excellently to materials such as canvas, wood, polystyrene, plastic, glass and much more. It is not suitable for materials that consist of silicone or contain Silicone. Measuring, mixing and processing the XL Crackle Paste 1.) You have prepared your painting surface beforehand, i.e. it has been dusted off, degreased and is lying flat on your work surface. 2.) Prime your painting ground. For your base layer, apply the primer 1-2 mm thin. 3.) Apply the XL Crackle Paste directly to the base layer (primer). So you work wet on wet. This is important as this is the only way the dried XL Crackle Paste will stick to the surface. Without binding using the primer, it dissolves again. 4.) Let the XL Crackle Paste and the primer dry. Depending on the layer thickness of the paste, this takes several hours. The warmer, the shorter the drying time. You should pay Attention to that. • Best results at 18-25 °C. • Do not store below 12 °C room temperature. • Store dry. • Protect from frost and heat. • Close the container immediately after removing it. • Clean the tool with water after use.

OUR RESI-BLAST, THE CELL AND STRUCTURE MEDIUM That's it. With resi-BLAST you can create unique cells, structures and color gradients on your artwork. The tension between resi-BLAST and resin creates incredible effects on your art. It can. Resi-BLAST can be used in many different ways. The advantage is that resi-BLAST does not connect to the resin, but displaces it. This allows you to create individual and unique cells, structures and color gradients that give your artwork something fascinating. That's what it's for. Resi-BLAST is specially designed for use with resin. Displacing the resin can create different cells depending on the amount. There are no limits to your imagination when it comes to Colours. Particularities. With resi-BLAST you can create special effects in your resin art. The effects appear immediately after the drops and you can follow the process of the cells live. In addition, the cells can be subsequently edited and changed. The effects are not only visible but can also be felt haptically. Measuring, mixing and processing resi-BLAST Mix with resin 1.) Resin and hardener of MASTERCAST 1-2-1 are mixed by volume 1:1. Place the two components in a suitable mixing cup. 2.) Stir the measured amount in the mixing cup. Use a plastic spatula for this. Stir slowly and thoroughly for 3-5 minutes; also on the bottom and edges of the mixing cup. 3.) Your mix is ready and you now have 25-30 minutes to process the resin. Now you can color the resin and add resi-BLAST. 4.) After you have dropped the resi-BLAST into your color mixture, you will immediately see that something has changed in the mixing cup. 5.) You have prepared your painting surface beforehand, which means: it is dusted, degreased and lying flat on your work surface. Now pour the color mixture with resi-BLAST onto the painting surface. 6.) You can influence the resulting effects by blow-drying the cells with a heat gun. To do this, you have to try to enlarge or change the cells in circular movements over your cells. Dripping on the artwork 1.) Resin and hardener of MASTERCAST 1-2-1 are mixed by volume 1:1. Place the two components in a suitable mixing cup. 2.) Stir the measured amount in the mixing cup. Use a plastic spatula for this. Stir slowly and thoroughly for 3-5 minutes; also on the bottom and edges of the mixing cup. 3.) Your mix is ready and you now have 25-30 minutes to process the resin. After that it becomes too thick and begins to harden. 4.) You have prepared your painting surface beforehand, which means: it has been dusted off, degreased and is lying flat on your work surface. Now pour your color mixture onto the painting ground. 5.) In order to achieve the most spectacular results possible, you should apply at least two different colors to your painting surface. 6.) Drop the resi-BLAST on one color only to create a monochrome effect. The point in time at which you apply the resi-BLAST is also important. The ideal time is about 5 minutes after casting, as the resin then offers the right consistency. The wrong time will cause an oily layer to form on your resin surface. 7.) You can influence the resulting effects by blow-drying the cells with a heat gun. To do this, you have to try to enlarge or change the cells in circular movements over your cells.

SINGLE PRODUCT: STRUCTURE PASTE That is her. The Etter Art XL CRACKLE PASTE is a paste for creating unique cracks (crackle). Create exciting craquelure and give your artwork special depth and three-dimensionality. The Etter Art XL CRACKLE PASTE consists of two components, primer and XL CRACKLE PASTE. That's what she's for. With the Etter Art XL CRACKLE PASTE you can create unique and exciting crackles that you can make in any size and density. It gives your artwork an incredible look and is particularly suitable for haptic and textural art. You can apply the XL CRACKLE PASTE up to 50 mm thick. The thicker or higher the layer, the deeper and wider its cracks. Particularities. With the help of the primer, making the craquelure is child’s play. In addition, the primer adheres excellently to materials such as canvas, wood, polystyrene, plastic, glass and much more. It is not suitable for materials that consist of silicone or contain silicone. Measuring, mixing and processing the XL CRACKLE PASTE 1.) You have prepared your painting surface beforehand, i.e. it has been dusted off, degreased and is lying flat on your work surface. 2.) Prime your painting ground. For your base layer, apply the primer 1-2 mm thin. 3.) Apply the XL CRACKLE PASTE directly to the base layer (primer). So you work wet on wet. This is important as this is the only way the dried XL CRACKLE PASTE will stick to the surface. Without binding using the primer, it dissolves again. 4.) Let the XL CRACKLE PASTE and the primer dry. Depending on the layer thickness of the paste, this takes several hours. The warmer, the shorter the drying time. You should pay attention to that. • Best results at 18-25 °C. • Do not store below 12 °C room temperature. • Store dry. • Protect from frost and heat. • Close the container immediately after removing it. • Clean the tool with water after use.

THE FACETTE VARNISH CRACKLING COLOR That's him. With the facet varnish Crackling Color you can create amazing special effects with coarser or finer cracks and a fantastic patina on almost any painting surface. Unforeseen creative possibilities arise in the areas of design and decoration. He can. The faceted varnish is very easy to use and gives your work of art an unusual reptile or faceted look with an antique character and Craquelure. That's what it's for. The Facetlack Crackling Color can be used almost anywhere. You can use it for design or decorative objects, but also for painting on pictures or collages. Particularities. The faceted varnish Crackling Color creates great effects in faceted optics, can be used on almost all surfaces and offers light fastness with simple application. In addition, the facet varnish Crackling Color offers an extraordinary crackling effect that cannot be produced in this form with any other material. Measuring, mixing and processing the Crackling Color facet varnish 1.) You have prepared your painting surface beforehand, i.e. it has been dusted off, degreased and is lying flat on your work surface. Now apply the Crackling Color facet varnish to your painting surface with a brush or spatula. 2.) The layer thickness should be applied between 2-4 mm. The thicker the application of paint, the larger the facets. 3.) The drying time is 24-30 hours depending on the layer thickness. 4.) Please do not mix the paint with resin. After the hardening process, you can pour clear resin over the facet varnish. This is how you achieve a unique effect.

SINGLE PRODUCT: PRIMER That is her. The Etter Art XL CRACKLE PASTE is a paste for creating unique cracks (crackle). Create exciting craquelure and give your artwork special depth and three-dimensionality. The Etter Art XL CRACKLE PASTE consists of two components, primer and XL CRACKLE PASTE. That's what she's for. With the Etter Art XL CRACKLE PASTE you can create unique and exciting crackles that you can make in any size and density. It gives your artwork an incredible look and is particularly suitable for haptic and textural art. You can apply the XL CRACKLE PASTE up to 50 mm thick. The thicker or higher the layer, the deeper and wider its cracks. Particularities. With the help of the primer, making the craquelure is child’s play. In addition, the primer adheres excellently to materials such as canvas, wood, polystyrene, plastic, glass and much more. It is not suitable for materials that consist of silicone or contain silicone. Measuring, mixing and processing the XL CRACKLE PASTE 1.) You have prepared your painting surface beforehand, i.e. it has been dusted off, degreased and is lying flat on your work surface. 2.) Prime your painting ground. For your base layer, apply the primer 1-2 mm thin. 3.) Apply the XL CRACKLE PASTE directly to the base layer (primer). So you work wet on wet. This is important as this is the only way the dried XL CRACKLE PASTE will stick to the surface. Without binding using the primer, it dissolves again. 4.) Let the XL CRACKLE PASTE and the primer dry. Depending on the layer thickness of the paste, this takes several hours. The warmer, the shorter the drying time. You should pay attention to that. • Best results at 18-25 °C. • Do not store below 12 °C room temperature. • Store dry. • Protect from frost and heat. • Close the container immediately after removing it. • Clean the tool with water after use.

resi-CRETE: Structure and Texture for Your Artwork resi-CRETE is a fascinating medium that allows you to create stunning textures and dimensional effects in your artwork. It is easy, safe, and quick to use, and can also be mixed with other products to achieve truly unique results. resi-CRETE is a pre-pigmented, cement-like powder that can be mixed with either acrylic emulsion or resin. It enables you to give your artwork both structural depth and tactile appeal. Create concrete-like surfaces or relief-style textures with cracks and grooves. The final look depends on how you apply resi-CRETE and which additional materials you incorporate.   Applications of resi-CRETE resi-CRETE is one of the lightweight materials you can use to create textured and tactile artwork. It offers excellent coverage and adheres quickly to a wide variety of surfaces, including wood, glass, steel, metal, stone, ceramic, and many more.   Key Features of resi-CRETE Thanks to its pre-pigmented formulation, resi-CRETE is one of the easiest media for creating textured surfaces. It can also be tinted with additional colors, offers various application techniques, and is perfectly suited for working with resin.   How to Use resi-CRETE For a Concrete-Like Surface Step 1: Pour the resi-CRETE powder into a suitable mixing cup. Step 2: Add a small amount of acrylic emulsion using a plastic spatula. Stir slowly and thoroughly for 3–5 minutes, making sure to scrape the bottom and sides of the mixing cup. Step 3: Your mixture should reach a paste-like consistency. While stirring continuously, gradually add more acrylic emulsion until you achieve a smooth, lump-free mixture. Step 4: The correct consistency is reached when the resi-CRETE and acrylic emulsion mixture no longer flows. Step 5: The less acrylic emulsion you add, the firmer the texture paste becomes. This allows you to apply and shape it in three dimensions. Step 6: Your mixture is now ready. You have approximately 25–30 minutes to work with the resi-CRETE before the curing process begins. Step 7: Prepare your substrate beforehand by ensuring it is clean, dust-free, grease-free, and lying flat on your work surface. Then apply the mixture to your substrate.   For a Relief-Style Surface Step 1: Pour the resi-CRETE powder into a suitable mixing cup. Step 2: Add a small amount of acrylic emulsion using a plastic spatula. Stir slowly and thoroughly for 3–5 minutes, making sure to scrape the bottom and sides of the mixing cup. Step 3: Your mixture should reach a very firm consistency. Ensure that the mixture is smooth and free of lumps. Step 4: The correct consistency is reached when the resi-CRETE and acrylic emulsion mixture no longer flows and has become firm. Step 5: Apply the mixture generously to your substrate and briefly warm it with a heat gun or hair dryer, or allow your artwork to dry in direct sunlight. These methods will enhance crack formation. Step 6: Your mixture is now ready. You have approximately 25–30 minutes to work with the resi-CRETE before the curing process begins. Step 7: Prepare your substrate beforehand by ensuring it is clean, dust-free, grease-free, and lying flat on your work surface. Then apply the mixture to your substrate.   For a Resin-Based Sculpting Paste Step 1: Mix the resin and hardener of MASTERCAST 1-2-1 at a 1:1 ratio by volume. Pour both components into a suitable mixing cup. (TOTALCAST and ULTRACAST XT are also suitable.) Step 2: Add resi-CRETE and stir the measured amount into the mixture using a plastic spatula. Stir slowly and thoroughly for 3–5 minutes, making sure to scrape the bottom and sides of the mixing cup. Step 3: The recommended mixing ratio is 40 g of resi-CRETE per 100 ml of resin. Step 4: Your mixture is now ready. You have approximately 25–30 minutes to work with the resi-CRETE before the curing process begins. Step 5: Prepare your substrate beforehand by ensuring it is clean, dust-free, grease-free, and lying flat on your work surface. Then apply the mixture to your substrate.   Important Safety Information Always wear nitrile gloves. It is recommended to work in a well-ventilated area and wear a suitable respirator. Avoid skin contact (if resin comes into contact with your skin, wash immediately with plenty of soap and water). Do NOT eat, drink, or smoke while working. If the product gets into your eyes, rinse immediately with plenty of water for at least 15 minutes and seek medical attention.

THE OPTIMAL LIME SWAT FOR ARTISTIC APPLICATIONS That's him. Pure white and very fine - that is what distinguishes the Etter Art swamp lime. And that is why it is particularly suitable for use in art. In general, the following applies to swamp lime: the older, the better the quality. This is because lime and water react slowly with each other - it takes some time for the crystal structures in the lime to become finer and finer. The Etter Art swamp lime was swamped (soaked) for 72 months. The result? Radiant white and a particularly fine structure. Ideal for artists. Measuring, mixing and processing the Etter Art swamp lime 1.) Mix the Etter Art swamp lime in a ratio of 1:1 with marble flour powder until you get a homogeneous consistency reminiscent of cream quark. A hand mixer, for example, is suitable for mixing. In this case, the marble flour powder serves as a binder. 2.) If the mass is a bit too viscous, simply add a little of the water from the bucket with the lime putty (lime sinter water). 3.) Apply the resulting structure paste to the painting surface. The image idea is decisive for the type of application: Regular or irregular towering, flatter or higher, large areas or as accents. 4.) Then let the lime putty dry. The drying time depends on the layer thickness and the ambient temperature. 5.) During the drying time, fine cracks appear in the applied paste. The thinner the application, the more cracks appear. Conversely, a thicker application results in fewer cracks on an area of ??the same size. 6.) In order to fix the swamp lime structures on the painting ground, they must be secured after drying, for example with acrylic emulsion. 7.) After removing the lime putty from the bucket, top up with water if necessary so that there is always a layer of water covering the lime (lime sinter water). In this way, the product retains its properties and high Quality.

Marmormehl von Etter Art: das feine Strukturmedium für deine Kunst Fein. Faszinierend. Fielseitig. Wir meinen natürlich: vielseitig! Warum es so wichtig ist, dass Marmormehl sehr fein ist? Weil du nur dann einen ausgezeichneten „Strukturteig“ für deine Kunst anmischen kannst. Ohne Sieben, ohne Klümpchen. Schnell und von Hand anzurühren. Warum unser Marmormehl so faszinierend ist? Das musst du erleben. (Und wirst du!) Fehlt noch: vielseitig. Genau wie du und deine Kunst. Denn die feinstoffliche Struktur erlaubt dir verschiedene Anwendungen – von Strukturpaste über Zeichenkreide bis Fresko. Anwendungsmöglichkeiten Etter Art Marmormehl Stelle unterschiedliche Strukturpasten oder Modelliermassen her (zum Beispiel mit Gips, Leim, Harz oder Binder) Verdicke oder strecke Farbmittel (Marmormehl beispielsweise als Füllstoff nutzen) Mattiere Farben, ohne sie dabei zu trüben Kreiere Marmorgründe und Freskogründe Verwende Marmormehl als Füllstoff für Epoxidharz Helle Sichtbeton auf und veredle ihn Mische Mal- und Zeichenkreide an (in Kombination mit Pigmenten, Bindemittel und Wasser) Besonderheiten Marmormehl von Etter Art Extra fein gemahlen (9 μm) Strahlend weiß Italienisches Marmormehl Naturprodukt Ohne Fremdstoffe oder Verunreinigungen Wasserunempfindlich Umweltfreundlich, ungiftig, biologisch unbedenklich Hohe Deckkraft und Füllkraft Je nach Einsatz unterschiedliche Effekte: samtweiche Oberfläche, Rissbildung, Strukturen einarbeiten Anwendung Etter Art Marmormehl Entdecke hier Stefanie Etters Lieblingsrezept für eine Strukturpaste mit Marmormehl. Es ist ein Klassiker für die künstlerische Anwendung! Schritt 1: Du brauchst ungefähr zwei Teile Marmormehl und ein Teil Acrylbinder (Mischverhältnis nach Volumen). Schritt 2: Gib zuerst das Marmormehl in einen Mischbecher. Es ist so fein vermahlen, dass du es vorab nicht sieben musst. Schritt 3: Rühre dann den Acrylbinder ein. Langsam und sorgfältig, am besten mit einem Spatel. Achte darauf, dass du keine Acrylemulsion nimmst, sondern den Acrylbinder. Schritt 4: Überprüfe die Konsistenz deiner Mischung: Fühlt sich die Textur wie ein zäher Rührteig an? Dann ist sie perfekt als Strukturmedium geeignet. Ist sie zu fest oder zu flüssig, gibst du entweder etwas Acrylbinder oder etwas Marmormehl hinzu – und verrührst noch einmal. Schritt 5: Trage deine Strukturpaste auf deinen Malgrund (oder eine andere Wunsch-Oberfläche) auf. Nutze dafür einen Spachtel. Schritt 6: Während du die Paste aufträgst und auch danach: Arbeite die gewünschten Strukturen ein. Schritt 7: Ein bisschen Geduld haben. Deine Strukturpaste trocknet ungefähr 24 Stunden lang – abhängig davon, wie dick du sie aufgetragen hast. Mit Wärme beschleunigst du den Vorgang. Nutze dafür gern die Sonne oder eine vorhandene Fußbodenheizung. Eigene Strukturpaste für eigene Kunst. Du siehst: Mit dem Marmormehl von Etter Art geht das ganz leicht. Eine feine Sache, oder?

OUR RESI-CRETE FOR STRUCTURE AND HAPTIC That's it. resi-CRETE is a fascinating medium with which you can create fascinating structures on your artwork. It's easy, safe and quick to use, and you can also mix resi-CRETE with other products to achieve unique results. It can. resi-CRETE is a pre-pigmented, cement-like powder that can be mixed with both acrylic emulsion and resin. With the help of resi-CRETE you can create a structural and haptic experience for your pictures. Create surfaces with resi-CRETE that are reminiscent of concrete or relief-like structures with cracks or furrows. The look depends on how you apply resi-CRETE and what materials you add to it. That's what it's for. resi-CRETE is one of the lightweight materials you can use for art with texture and feel. The resi-CRETE provides excellent and quick coverage on surfaces such as wood, glass, steel, metal, stone, ceramics and much more. Particularities. Due to its pre-pigmentation, resi-CRETE is one of the easiest media to create structures. It can also be colored, there are different ways of using it and it is wonderfully suited for working with Resin. Measuring, mixing and processing resi-CRETE For a concrete-like surface 1.) Put the resi-CRETE powder in a suitable mixing cup. 2.) Add a small amount of acrylic emulsion. Use a plastic spatula for this. Stir slowly and carefully; for 3-5 minutes; also on the bottom and edges of the mixing cup. 3.) Your mixture must reach a pasty consistency. To do this, you can continue to add acrylic emulsion while stirring constantly. Make sure you get a smooth mixture with no lumps. 4.) The right consistency has been reached when the mixture of resi-CRETE and acrylic emulsion no longer flows. 5.) The less acrylic emulsion you add, the firmer your structure paste will be. It can be applied and designed three-dimensionally. 6.) Your mixture is ready and you now have 25-30 minutes to process the resi-CRETE. Then the hardening process begins. 7.) You have prepared your painting surface beforehand, which means: it has been dusted off, degreased and is lying flat on your work surface. Now apply the mixture to your painting Surface. For a relief-like surface 1.) Put the resi-CRETE powder in a suitable mixing cup. 2.) Add a small amount of acrylic emulsion. Use a plastic spatula for this. Stir slowly and carefully; for 3-5 minutes; also on the bottom and edges of the mixing cup. 3.) Your mixture must reach a very firm consistency. Make sure you get a firm mixture with no lumps. 4.) The right consistency is reached when the mixture of resi-CRETE and acrylic emulsion stops flowing and has reached a solid state. 5.) Apply the mass a little thicker to your surface and briefly heat it up with a hair dryer or let your work of art dry in the sun. These processes increase cracking. 6.) Your mixture is ready and you now have 25-30 minutes to process the resi-CRETE. Then the hardening process begins. 7.) You have prepared your painting surface beforehand, which means: it has been dusted off, degreased and is lying flat on your work surface. Now apply the mixture to your painting Surface. For putty based on resin 1.) Resin and hardener of MASTERCAST 1-2-1 are mixed by volume 1:1. Place the two components in a suitable mixing cup. (TOTALCAST and ULTRACAST XT are also suitable.) 2.) Add resi-CRETE and stir the measured amount in the mixing cup. Use a plastic spatula for this. Stir slowly and carefully; for 3-5 minutes; also on the bottom and edges of the mixing cup. 3.) The mixing ratio should be 40 grams of resi-CRETE to 100 ml of resin. 4.) Your mixture is ready and you now have 25-30 minutes to process the resi-CRETE. Then the hardening process begins. 5.) You have prepared your painting surface beforehand, which means: it is dusted, degreased and lying flat on your work surface. Now apply the mixture to your painting Surface. You should pay attention to this when working with Resin. • Always wear nitrile gloves. • It is advisable to work in a well-ventilated area and to wear a respirator. • Avoid skin contact (if resin gets on skin, wash with plenty of soap and water). • DO NOT eat, drink or smoke while working. • If eyes get dirty, wash with plenty of water for 15 minutes and seek medical attention immediately.

resi-CRETE: Structure and Texture for Your Artwork resi-CRETE is a fascinating medium that allows you to create stunning textures and dimensional effects in your artwork. It is easy, safe, and quick to use, and can also be mixed with other products to achieve truly unique results. resi-CRETE is a pre-pigmented, cement-like powder that can be mixed with either acrylic emulsion or resin. It enables you to give your artwork both structural depth and tactile appeal. Create concrete-like surfaces or relief-style textures with cracks and grooves. The final look depends on how you apply resi-CRETE and which additional materials you incorporate.   Applications of resi-CRETE resi-CRETE is one of the lightweight materials you can use to create textured and tactile artwork. It offers excellent coverage and adheres quickly to a wide variety of surfaces, including wood, glass, steel, metal, stone, ceramic, and many more.   Key Features of resi-CRETE Thanks to its pre-pigmented formulation, resi-CRETE is one of the easiest media for creating textured surfaces. It can also be tinted with additional colors, offers various application techniques, and is perfectly suited for working with resin.   How to Use resi-CRETE For a Concrete-Like Surface Step 1: Pour the resi-CRETE powder into a suitable mixing cup. Step 2: Add a small amount of acrylic emulsion using a plastic spatula. Stir slowly and thoroughly for 3–5 minutes, making sure to scrape the bottom and sides of the mixing cup. Step 3: Your mixture should reach a paste-like consistency. While stirring continuously, gradually add more acrylic emulsion until you achieve a smooth, lump-free mixture. Step 4: The correct consistency is reached when the resi-CRETE and acrylic emulsion mixture no longer flows. Step 5: The less acrylic emulsion you add, the firmer the texture paste becomes. This allows you to apply and shape it in three dimensions. Step 6: Your mixture is now ready. You have approximately 25–30 minutes to work with the resi-CRETE before the curing process begins. Step 7: Prepare your substrate beforehand by ensuring it is clean, dust-free, grease-free, and lying flat on your work surface. Then apply the mixture to your substrate.   For a Relief-Style Surface Step 1: Pour the resi-CRETE powder into a suitable mixing cup. Step 2: Add a small amount of acrylic emulsion using a plastic spatula. Stir slowly and thoroughly for 3–5 minutes, making sure to scrape the bottom and sides of the mixing cup. Step 3: Your mixture should reach a very firm consistency. Ensure that the mixture is smooth and free of lumps. Step 4: The correct consistency is reached when the resi-CRETE and acrylic emulsion mixture no longer flows and has become firm. Step 5: Apply the mixture generously to your substrate and briefly warm it with a heat gun or hair dryer, or allow your artwork to dry in direct sunlight. These methods will enhance crack formation. Step 6: Your mixture is now ready. You have approximately 25–30 minutes to work with the resi-CRETE before the curing process begins. Step 7: Prepare your substrate beforehand by ensuring it is clean, dust-free, grease-free, and lying flat on your work surface. Then apply the mixture to your substrate.   For a Resin-Based Sculpting Paste Step 1: Mix the resin and hardener of MASTERCAST 1-2-1 at a 1:1 ratio by volume. Pour both components into a suitable mixing cup. (TOTALCAST and ULTRACAST XT are also suitable.) Step 2: Add resi-CRETE and stir the measured amount into the mixture using a plastic spatula. Stir slowly and thoroughly for 3–5 minutes, making sure to scrape the bottom and sides of the mixing cup. Step 3: The recommended mixing ratio is 40 g of resi-CRETE per 100 ml of resin. Step 4: Your mixture is now ready. You have approximately 25–30 minutes to work with the resi-CRETE before the curing process begins. Step 5: Prepare your substrate beforehand by ensuring it is clean, dust-free, grease-free, and lying flat on your work surface. Then apply the mixture to your substrate.   Important Safety Information Always wear nitrile gloves. It is recommended to work in a well-ventilated area and wear a suitable respirator. Avoid skin contact (if resin comes into contact with your skin, wash immediately with plenty of soap and water). Do NOT eat, drink, or smoke while working. If the product gets into your eyes, rinse immediately with plenty of water for at least 15 minutes and seek medical attention.